“What I do with current tools takes concentration and I’m not going to pretend it doesn’t; jumping around like a prick trying to make people think what you’re doing is better than it actually is, is dumb…. I love the fact that if you are very still, which I usually am, it’s much, much harder to get everyone dancing and going mental, because they look to you for how they should react…. This is because many people find the music on its own way too abstract, they need something else visual and need to be told what to feel…. A lot of acts are just too insecure to just play their music and shut the fuck up, they feel the need to tell people what they should be doing, like, “Make some noise”, “Put your hands in the air.” Why? If I want to put my hands in the fucking air I will, I don’t need some fuckstick telling me what to do—I get enough of that outside a gig.”—Aphex Twin, in a 2010 interview with Another Man magazine. Another Man, btw, is highly recommended. If you’re the sort of person that’s into high-end men’s fashion magazines that interview Aphex Twin. (via francishwang)
“A lot of acts are just too insecure to just play their music and shut the fuck up, they feel the need to tell people what they should be doing, like, ‘Make some noise’. ‘Put your hands in the air.’ Why? If I want to put my hands in the fucking air I will, I don’t need some fuckstick telling me what to do- I get enough of that outside a gig.”—Richard D. James of Aphex Twin in Another Man (via erotec)
Parallel to the CD release of your new album (Richard D James album), you’re releasing the same songs as maxi singles at 45 rpm. If you play them at 33 rpm, then this hectic, tense material becomes very relaxing and atmospheric. Is this a coincidence?
“The sort of unwritten rule was that you can’t put your face on the sleeve. Therefore I put my face on the sleeve. That’s why I originally did it. But then I got carried away.”—Richard James talking about the use of his distorted face as a theme on the Aphex Twin album covers. (via grarse)
“The whole thing is just really touching. When they reached that goal on Kickstarter and it kept going up—people just wanting to give it money, even though they didn’t need to do it—it’s like, ‘Oh wow. Humanity is nice after all.’ Fans were just so happy to get it, fucking hell. I’ve got thousands more like that at home. I should release all that stuff as well.”—Aphex Twin on the Caustic Window Kickstarter project. (via kickstarter)
“"It is more fun to talk with someone who doesn’t use long, difficult words but rather short, easy words like ‘What about lunch?’" ~ A.A. Milne, Winnie the Pooh”—A.A. Milne, Winnie the Pooh (via imfantasyparade)
“"You get ideas from daydreaming. You get ideas from being bored. You get ideas all the time. The only difference between writers and other people is we notice when we’re doing it." ~ Neil Gaiman”—Neil Gaiman (via definitelydope)
“Bill was really a placid character. I only really got to know him much later on; he turned out to be more interesting than I thought he was going to be. Bill hated people swearing, particularly in front of his wife, Diane. If you said “Shit or “Fuck”, he used to turn around and say, “Sorry, Diane.” Of course, the more he said that, the more everybody swore. ~ David Bailey (via wharliecatts)”—David Bailey (via wharliecatts)
“One day Mick turned up with Chrissie. He was already striking. I tend to react to people visually, and what struck me straightaway were his lips; I used to make Mick extremely angry by joking that his mother used to stick him to the store windows while she went shopping. ~ David Bailey on Mick (via wharliecatts)”—David Bailey on Mick (via wharliecatts)
“We degenerate into hideous puppets, haunted by the memory of the passions of which we were much too afraid, and the exquisite temptations that we had not the courage to yield to. ~ Oscar Wilde, The Picture of Dorian Gray (via seabois)”—Oscar Wilde, The Picture of Dorian Gray (via seabois)
It’s almost too simple to say that Gill Landry‘s new album Piety & Desire is something akin to him going home.
The New Orleans native who is a multi-instrumentalist with the Old Crow Medicine Show has clearly traveled a long way since his days as a busker in the Crescent City. This sonic ode to the city and the tour he’s taken to support it shows that despite his success, his musical heart is still there.
“I wanted it to be dirty,” said Landry of his hopes for the album that is named after two streets that run parallel through the city’s ninth ward. “I wanted to have the grit of the old records I love and to fit the language of the writing that is pretty in its own way.”
The way of which he speaks is to find beauty in some of what many might consider the darker sides of New Orleans such as the barmaids, merchants and thieves that inhabit the city’s famed French Quarter.
To make the musical vision come alive, Landry worked with the Felice Brothers as his musical accompanists and co-producers. He also enlisted a cast of folk, pop and country artists including Jolie Holland, Brandi Carlile, Ketch Secor, and Samantha Parton to guest on the album. Basically, Landry credits something akin to stars aligning for the good fortune in bringing such an array of talent together, starting with the famed Felice Brothers.
“When they asked if I wanted to come up to New York State, I said sure right away,” said Landry. “That just lined up perfectly. I didn’t even think twice about it. Once they [invited me to come work in their studio] I knew how the record would be made.”
Since the famed Old Crow Medicine Show was on a break, the timing was perfect for Landry to dig into his songs and create the album.
“I once heard that Neil Young will drop anything he’s doing if he has an idea,” said Landry. “You can’t manufacture inspiration, you can’t buy it. It’s pretty important to [act upon ideas] when they come.”
Although it’s easy to hear the darker side of New Orleans in the sonic pictures Landry paints, he hopes listeners will also hear the spiritual beauty of the area.
“I had been kicking around some of the songs for a while,” said Landry. “The whole process and the vibe with them were just what I wanted. We were going for vibe over technical, feelings over analytical.”
Although he is clear that Old Crow Medicine Show will continue, the album showcases a different musical side of Landry.
“I hope this world I created is inviting,” he said. “I don’t purposely make it cinematic but I have been told that certain songs feel that way. If that’s true, I hope listeners enjoy their time in that world.”
To find out more about Gill Landry, hear his music, and check out his tour dates, go to his Web site.
““Every one interprets everything in terms of his own experience. If you say anything which does not touch a precisely similar spot in another man’s brain, he either misunderstands you, or doesn’t understand you at all.”
~ Aleister Crowley, Diary of a Drug Fiend (via thirstforthoughts)”—Aleister Crowley, Diary of a Drug Fiend (via thirstforthoughts)
““I once heard that Neil Young will drop anything he’s doing if he has an idea. You can’t manufacture inspiration, you can’t buy it. It’s pretty important to [act upon ideas] when they come.” ~ Gill Landry of Old Crow Medicine Show (Your Country’s Right Here)”—Gill Landry of Old Crow Medicine Show (Your Country’s Right Here)
“One by one they were all becoming shades. Better pass boldly into that other world, in the full glory of some passion, than fade and wither dismally with age. ~ James Joyce (1882-1941)”—James Joyce (1882-1941)
““It is only too true that a lot of artists are mentally ill- it’s a life which, to put it mildly, makes one an outsider. I’m all right when I completely immerse myself in my work, but I’ll always remain half crazy.” ~ Vincent van Gogh (1853-1890)”—Vincent van Gogh (1853-1890)